Wednesday, May 20, 2009

Monday, May 11, 2009

"Crimewave"


by Crystal Castles

Eyes lit
I pawn short breaths
A fawn's dark eye lids
But life's breath like a sun against my head

Eyes lit
I pawn short breaths
A fawn's dark eye lids
But life's breath like a sun to repent

Eyes lit
I want short breaths
I've got dark eye lids

Nice breasts
I need the sun in to repent

Tuesday, April 28, 2009

"Burning Up"

by Ladytron

I wrote a protest song about you, about you

Set off on the long march without you, without you

I wrote a protest song about you, about you
About what's left that lies between us, I'm walking
So many things we're burning for

I set myself on fire without you, without you
I wrote a protest song about you, about you
that not a soul was meant to hear, except you

I wrote a protest song about you, about you
I cheated gravity to chase you, to chase you
and through the burning space between us, you're falling
you have a long way, long way to fall

I set myself on fire without you, without you
I wrote a protest song about you, about you
that not a soul was meant to hear, except you

So many things we're burning for

Tuesday, April 7, 2009

"Kids"



by MGMT

You were a child
Crawling on your knees toward him
Making momma so proud
But your voice is too loud
We like to watch you laughing
Picking insects off of plants
No time to think of consequences

Control yourself
Take only what you need from him
A family of trees wanting to be haunted
Control yourself
Take only what you need from him

The water is warm
But it's sending me shivers
A baby is born
Crying out for attention
Memories fade
Like looking through a fogged mirror
Decisions too
Decisions are made
Decisions are made and not bought
But I thought this wouldn't hurt a lot
I guess not

Control yourself
Take only what you need from him
A family of trees wanting to be haunted
Control yourself
Take only what you need from him

Monday, March 16, 2009

"Heartbeats"

Jose Gonzales

one night to be confused
one night to speed up truth
we had a promise made
four hands and then away

both under influence
we had devine scent
to know what to say
mind is a razorblade

to call for hands of above
to lean on
wouldn't be good enough
for me, no

one night of magic rush
the start a simple touch
one night to push and scream
and then relief

ten days of perfect tunes
the colors red and blue
we had a promise made
we were in love

to call for hands of above
to lean on
wouldn't be good enough
for me, no

and you, you knew the hands of the devil
and you, kept us awake with wolves teeth
sharing different heartbeats
in one night

to call for hands of above
to lean on
wouldn't be good enough
for me, no

Thursday, November 20, 2008

Hip Hop, English Style


"Dance Wiv Me" by Dizzee Rascal (2008)


Tuesday, November 11, 2008

"Fish"


by Daniel Johnston


Try aching every care in the world

She's only the most beautiful girl

The more I think it, the badder it gets

I was just swimming along when I was caught in her net


She's got me singing with a broken heart

I keep on messing with my mind torn apart

She's already forgotten, look at me left in the dust

I guess my art didn't help very much


Then the super love got me again

Got me dreaming I could almost win

I stopped to take a look around with a grin

So much turmoil in this crazy town


She's got me bloody from hitting the bricks

Is this the way the girlies get their kicks?

And now I see if it makes a difference

Everyone in love, hating her and each other


Always thinking it's near the end

Then I was hoping she'd be my friend

Will I forever only wish it again?

oh to be alive and free from sin!


Psycho love in the Twilight Zone

Drippy soap opera on the telephone

I get so close but I don't belong

Strain to identify with a radio song


Then I see her as if in a dream

It's so real I could almost scream

She's doing a ritual the same for any man,

just like a movie, it's so deadpan!


I hope for true love in the darkness

I had the chance at false romance

Maybe next time I'll look for something new

I'm so ashamed, so unglued


I've had enough and she'll never know

I feel like staying but my subconscious says 'go'

Shed a tear like blood on the floor

It's only love and nothing more


She's got me singing with a broken heart

I keep on messing with my mind torn apart

she's already forgotten, look at me left in the dust

I guess my art didn't help very much

Sunday, November 9, 2008

“I can see it (But I Can't Feel it)”



















by My Bloody Valentine

Don't know when
I will leave you again
Grab a reason
And I'm dragging you down

Come just to make you happy
Shot in the head I can see
I can see it
But I can't feel it

Friday, September 26, 2008

Paper Planes



I fly like paper, get high like planes
If you catch me at the border I got visas in my name
If you come around here, I make 'em all day
I get one down in a second if you wait

Sometimes I feel sitting on trains
Every stop I get to I'm clocking that game
Everyone's a winner now we're making that fame
Bonafide hustler making my name

All I wanna do is
And take your money

Pirate skulls and bones
Sticks and stones and weed and bombs
Running when we hit 'em
Lethal poison through their system

No one on the corner has swagger like us
Hit me on my Burner prepaid wireless
We pack and deliver like UPS trucks
Already going hell just pumping that gas

All I wanna do is
And take your money

M.I.A.
Third world democracy
Yeah, I got more records than the K.G.B.
So, uh, no funny business

Some some some I some I murder
Some I some I let go
Some some some I some I murder
Some I some I let go

Monday, September 22, 2008

"Knife Party"

by Chino Moreno

My knife
it's sharp and chrome
Come see
inside my bones

All of the fiends
are on the block
I'm the new king
Ill take the queen
cause in here
were all anemic
In here
anemic and sweet

Go get your knife
go get your knife
And come in

Go get your knife
go get your knife
And lay down

Go get your knife
go get your knife
Now kiss me

I can float here forever
In this room
we can't touch the floor
In here were all anemic
In here
anemic and sweet

Go get your knife
go get your knife
And come in

Go get your knife
go get your knife
And lay down

Go get your knife
go get your knife
Now kiss me

I could float here forever
anemic and sweet
I could float here forever
anemic and sweet

Go get your knife
go get your knife
And come in

Go get your knife
go get your knife
And lay down

Go get your knife
go get your knife
Get filthy

Go get your knife
go get your knife
And kiss me

Wednesday, August 6, 2008

Wednesday, July 9, 2008

Lustprinzip


by Egotronic

Du kannst dumm in der Ecke stehen
ich will lieber tanzen gehn
wenn bunte Lichter blitzen
in einer Disko schwitzen

Alltag raus, Video rein
so kannst du ruhig glücklich sein
ich will beim vier-viertel stampfen
mich in Ekstase tanzen

Alltag raus, Video rein
so kannst du ruhig glücklich sein
und erklingt dann dieses Lied...

Ich sag dir komm wir gehn aus
du sagst nein wir bleiben zuhaus
bleib ruhig sitzen, ich steh auf
an dem Scheiss gehst du noch drauf
ich bau mir heut diese Welt
wiede-wie sie mir gefällt
und erklingt dann dieses Lied
regiert das Lustprinzip!

Alltag raus, Video rein
so kannst du ruhig glücklich sein
und erklingt dann dieses Lied
regiert das Lustprinzip!

Seh die Welt mit andern Augen
DJs am Mischpult schrauben
seh wie meine Hüfte kreist
wenn mein Gesicht entgleist
es gibt nichts was mich noch hält
Grüsse an den Rest der Welt
fehlt der Party dann die Power
gehts ab zur Afterhour

Du kannst dumm in der Ecke stehen

Alltag raus, Video rein
so kannst du ruhig glücklich sein
und erklingt dann dieses Lied...

Lustprinzip

Wednesday, July 2, 2008

Recently Published Work

In SF Weekly print edition -- circulation 100,000

Parts Unknown

By David McClymonds

Parts Unknown

Ask any train hopper: Riding the rails can be true bliss. The feeling of pulling out of a yard after hiding in the corner of a boxcar for 14 hours makes the slow, dirty trip instantly worth it. And running out of water, getting shot at by rednecks, or losing a limb are risks many believe are worth the experience of seeing the countryside scene-by-scene from a rusty metal car. Riding freight trains is just about as American as apple pie, a middle finger to capitalism, and a true test of one’s liberties. Just ask Woody Guthrie, Jimmie Rodgers, or any of the others who have pennilessly traveled the country in search of something often unknown — “I'm a thousand miles away from home just waiting for a train,” Rodgers once sang. Although the mainstream often regards it as the domain of crazy hobos and illegal immigrants, director Sarah George proves otherwise. For five years, George rode alongside four self-sufficient souls who regularly hop trains, and her 2002 film, Catching Out, provides a picturesque look at the freedom and beauty of life on the rails.

Link

Fire, Water, Firewater

By David McClymonds

Fire, Water, Firewater

Fireworks may have originally been used to scare away evil spirits in China, but today Americans often see the pretty explosions in the sky as an excuse to get drunk and (hopefully) romantic with the person standing next to them. Some would even call it patriotic to down shots of Jack Daniels during Fourth of July fireworks. We think the best place to maintain that nationalistic buzz is from the deck of a ferryboat floating in the middle of the celebration. The Red and White Fleet's July 4th Fireworks Cruises allow people to experience one of the Bay Area's biggest and most extravagant fireworks shows from a special perspective. The ferries head out early to get a good spot near the action, drop anchor, and allow passengers time to take advantage of the full bar. The best part is the outdoor deck that allows for a panoramic view of the 30-minute show, plus a chance to hold your date tightly — whichever fellow seagoer you happen to choose.

Link

More to come soon.

Wednesday, June 11, 2008

Dan Rather Slams Corporate News at National Conference for Media Reform


Free Press

Former CBS News anchor Dan Rather delivered a blistering critique of corporate news on Saturday night at the National Conference for Media Reform hosted by Free Press.

The following are Dan Rather's prepared remarks:

I am grateful to be here and I am, most of all, gratified by the energy I have seen tonight and at this conference. It will take this kind of energy — and more — to sustain what is good in our news media... to improve what is deficient... and to push back against the forces and the trends that imperil journalism and that — by immediate extension — imperil democracy itself.

The Framers of our Constitution enshrined freedom of the press in the very first Amendment, up at the top of the Bill of Rights, not because they were great fans of journalists — like many politicians, then and now, they were not — but rather because they knew, as Thomas Jefferson put it, that, "If a nation expects to be ignorant and free... it expects what never was and never will be."

And it is because of this Constitutionally-protected role that I still prefer to use the word "press" over the word "media." If nothing else, it serves as a subtle reminder that — along with newspapers — radio, television, and, now, the Internet, carry the same Constitutional rights, mandates, and responsibilities that the founders guaranteed for those who plied their trade solely in print.

So when you hear me talk about the press, please know that I am talking about all the ways that news can be transmitted. And when you hear me criticize and critique the press, please know that I do not exempt myself from these criticisms.

In our efforts to take back the American press for the American people, we are blessed this weekend with the gift of good timing. For anyone who may have been inclined to ask if there really is a problem with the news media, or wonder if the task of media reform is, indeed, an urgent one... recent days have brought an inescapable answer, from a most unlikely source.

A source who decided to tell everyone, quote, "what happened."

I know I can't be the first person this weekend to reference the recent book by former White House Press Secretary Scott McClellan, but, having interviewed him this past week, I think there are some very important points to be made from the things he says in his book, and the questions his statements raise.

I'm sure all of you took special notice of what he had to say about the role of the press corps, in the run-up to the war in Iraq. In the government's selling of the war, he said they were — or, I should say, we were "complicit enablers" and "overly deferential."

These are interesting statements, especially considering their source. As one tries to wrap one's mind around them, the phrase "cognitive dissonance" comes to mind.

The first reaction, a visceral one, is: Whatever his motives for saying these things, he's right — and we didn't need Scott McClellan to tell us so.

But the second reaction is: Wait a minute... I do remember at least some reporters, and some news organizations, asking tough questions — asking them of the president, of those in his administration, of White House Press Secretary Ari Fleischer and — oh yes — of Scott McClellan himself, once he took over for Mr. Fleischer a few months after the invasion.

So how do we reconcile these competing reactions? Well, we need to pull back for what we in television call the wide shot.

If we look at the wide shot, we can see, in one corner of our screen, the White House briefing room filled with the White House press corps... and, filling the rest of the screen, the finite but disproportionately powerful universe that has become known as "mainstream media" — the newspapers and news programs, real and alleged, that employ these White House correspondents — the news organizations that are, in turn, owned by a shockingly few, much larger corporations, for which news is but a miniscule part of their overall business interests.

In the wake of 9/11 and in the run-up to Iraq, these news organizations made a decision — consciously or unconsciously, but unquestionably in a climate of fear — to accept the overall narrative frame given them by the White House, a narrative that went like this: Saddam Hussein, brutal dictator, harbored weapons of mass destruction and, because of his supposed links to al Qaeda, this could not be tolerated in a post-9/11 world.

In the news and on the news, one could, to be sure, find persons and views that did not agree with all or parts of this official narrative. Hans Blix, the former U.N. chief weapons inspector, comes to mind as an example. But the burden of proof, implicitly or explicitly, was put on these dissenting views and persons... the burden of proof was not put on an administration that was demonstrably moving towards a large-scale military action that would represent a break with American precedent and stated policy of how, when, and under what circumstances this nation goes to war.

So with this in mind, we look back to the corner of our screen where the White House Press Corps is asking their questions. I have been a White House correspondent myself, and I have worked with some of the best in the business. You have an incentive, when you are in that briefing room, to ask the good, tough questions: If nothing else, that is how you get in the paper, or on the air. There is more to it than that, and things have changed since I was a White House correspondent — something I want to talk about in a minute. But the correspondents — the really good ones — these correspondents ask their tough questions.

And these questions are met with what is now called, euphemistically and much too kindly, what is now called "message discipline."

Well, we used to have a better and more accurate term for "message discipline." We called it "stonewalling."

Now, cut back to your evening news, or your daily newspaper... where that White House Correspondent dutifully repeats the question he asked of the president or his press secretary, and dutifully relates the answer he was given — the same non-answer we've already heard dozens of times, which amounts to a pitch for the administration's point of view, whether or NOT the answer had anything to do with the actual question that was asked.

And then: "Thank you Jack. In other news today... ."

And we're off on a whole new story.

In our news media, in our press, those who wield power were, in the lead-up to Iraq, given the opportunity to present their views as a coherent whole, to connect the dots, as they saw the dots and the connections... no matter how much these views may have flown in the face of precedent, established practice — or, indeed, the facts (as we are reminded, yet again, by the just-released Senate report on the administration's use of pre-war intelligence). The powerful are given this opportunity still, in ways big and small, despite what you may hear about the "post-Katrina" press.

But when a tough question is asked and not answered, when reputable people come before the public and say, "wait a minute, something's not right here," the press has treated them like voices crying in the wilderness. These views, though they might be given air time, become lone dots — dots that journalists don't dare connect, even if the connections are obvious, even if people on the Internet and in the independent press are making these very same connections. The mainstream press doesn't connect these dots because someone might then accuse them of editorializing, or of being the, quote, "liberal media."

But connecting these dots — making disparate facts make sense — is a big part of the real work of journalism.

So how does this happen? Why does this happen?

Let me say, by way of answering, that quality news of integrity starts with an owner who has guts.

In a news organization with an owner who has guts, there is an incentive to ask the tough questions, and there is an incentive to pull together the facts — to connect the dots — in a way that makes coherent sense to the news audience.

I mentioned a moment ago that things have changed since I was a White House correspondent. Yes, presidential administrations have become more adept at holding "access" over the heads of reporters — ask too tough a question, or too many of them, so the implicit threat goes, and you're not going to get any more interviews with high-ranking members of the administration, let alone the president. But I was covering Presidents Johnson and Nixon — men not exactly known as pushovers. No, what has changed, even more than the nature of the presidency, is the character of news ownership. I only found out years after the fact, for example, about the pressure that the Nixon White House put on my then-bosses, during Watergate — pressure to cut down my pieces, to call me off the story, and so on... because, back then, my bosses took the heat, so I didn't have to. They did this so the story could get told, and so the public could be informed.

But it is rare, now, to find a major news organization owned by an individual, someone who can say, in effect, "The buck stops here." The more likely motto now is: "The news stops... with making bucks."

America's biggest, most important news organizations have, over the past 25 years, fallen prey to merger after merger, acquisition after acquisition... to the point where they are, now, tiny parts of immeasurably larger corporate entities — entities whose primary business often has nothing to do with news. Entities that may, at any given time, have literally hundreds of regulatory issues before multiple arms of the government concerning a vast array of business interests.

These are entities that, as publicly-held and traded corporations, have as their overall, reigning mandate: Provide a return on shareholder value. Increase profits. And not over time, not over the long haul, but quarterly.

One might ask just where the news fits into this model. And if you really need an answer, you can turn on your television, where you will see the following:

Political analysis reduced to in-studio shouting matches between partisans armed with little more than the day's talking points.

Precious time and resources wasted on so-called human-interest stories, celebrity fluff, sensationalist trials, and gossip.

A proliferation of "news you can use" that amounts to thinly-disguised press releases for the latest consumer products.

And, though this doesn't get said enough, local news, which is where most Americans get their news, that seems not to change no matter what town or what city you're in... so slavish is its adherence to the "happy talk" formula and the dictum that, "If it bleeds, it leads."

I could continue for hours, cataloging journalistic sins of which I know you are all too aware. But, as the time grows late, let me say that almost all of these failings come down to this: In the current model of corporate news ownership, the incentive to produce good and valuable news is simply not there.

Good news, quality news of integrity, requires resources and it requires talent. These things are expensive, these things eat away at the bottom line.

Years ago, in the eighties and the nineties, when the implications of these cost-trimming measures were becoming impossible to ignore, and the quality of the news was clearly threatened, I spoke out against this cutting of news operations to the bone and beyond. Even then, though, I couldn't have imagined that the cost-cutting imperatives would go as far as they have today — deep into the marrow of what was once considered a public trust.

But since the financial resources always seem to be available for entertainment, promotion, and — last but not least — for lobbying... perhaps there is an even more important reason why the incentive to produce quality news is absent, and that is: quality news of integrity, by its very nature, is sure to rock the boat now and then. Good, responsible news worthy of its Constitutional protections will, in that famous phrase, afflict the powerful and comfort the afflicted.

And that, when one feels the need to deliver shareholder value above all, means that good news... may not always mean good business — or so goes the fear, a fear that filters down into just about every big newsroom in this country.

Now, I have spent my entire life in for-profit news, and I happen to think that it does not have to be this way. I have worked for news owners who, while they may have regarded their news divisions as an occasional irritant, chose to turn that irritant into a pearl of public trust. But today, sadly, it seems that the conglomerates that have control over some of the biggest pieces of this public trust would just as soon spit that irritant out.

So what does this mean for us tonight, and what is to be done?

It means that we need to be on the alert for where, when, and how our news media bows to undue government influence. And you need to let news organizations know, in no uncertain terms, that you won't stand for it... that you, as news consumers, are capable of exerting pressure of your own.

It means that we need to continue to let our government know that, when it comes to media consolidation, enough is enough. Too few voices are dominating, homogenizing, and marginalizing the news. We need to demand that the American people get something in exchange for the use of airwaves that belong, after all, to the people.

It means that we need to ensure that the Internet, where free speech reigns and where journalism does not have to pass through a corporate filter... remains free.

We need to say, loud and clear, that we don't want big corporations enjoying preferred access to — or government acting as the gatekeeper for — this unique platform for independent journalism.

And it means that we need to hold the government to its mandate to protect the freedom of the press, including independent and non-commercial news media.

The stakes could not possibly be higher. Scott McClellan's book serves as a reminder, and the current election season, not to mention the gathering clouds of conflict with Iran, will both serve as tests of whether lessons have truly been learned from past experience. Ensuring that a free press remains free will require vigilance, and it will require work.

Please, take tonight's energy and inspiration home with you. Take it back to your desks and your workplaces, to your colleagues and your fellow citizens. magnify it, multiply it, and spread it. Make it viral. Make it something that cannot be ignored — not by the powers in Washington, not by the owners and executives of media companies. Write these people. Call them. Send them the message that you know your rights, you know that you are entitled to news media as diverse and varied as the American people... and that you deserve a press that provides the raw material of democracy, the good information that Americans need to be full participants in our government of, by, and for the people.

There is energy here, that can be equal to that task, but this energy must be maintained... if the press — if democracy — is to be preserved.

Thank you very much, and good night.